Shifting the several,
selective concentration
mimics dull and duty.
Aggregate beauty fetishized in tow.
Apologetic apostrophes in a row
beside the raw image.
Isn’t that neat or niceness or negation?
Ease up on the exaltation, champ.
Stamp the sequence
with a sense of boundary, foreclosure.
Up next composure
clicks into gear,
to steer all meaning
toward an ever deepening fade.

-r. miller

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